Eldest Souls is a souls-like, pixel-art RPG. The Old Gods have long been imprisoned. Humanity has been prospering, with great Kingdoms arising on the now forsaken temples of worship. But no longer. In their final act of revenge, the Old Gods have unleashed a great Desolation upon the world. Farmlands turned to deserts, rivers to dust. The Great Crusade sent to slay the Imprisoned Gods once and for-all, is all but vanished, and the human Kingdoms are in disarray. A lone Warrior approaches the Citadel, ancient prison of Gods. His objective is one: slay them all. In Eldest Souls, the player will explore the vast, forgotten Citadel, in search of the Old Gods. The temple-prison will contain a great deal of NPC’s , quests and mysteries. Encounters with the Old Gods will be…deadly. With a fast-paced, exciting action combat, every instant counts. But fortune favours the bold, and defeating the Old Gods will grant the player powers beyond mortal comprehension.

Post tutorial RSS Making sound effects for video games #4

Using trial and error to discover the best sound during recording. I'll also briefly go into how layering can add depth and thickness to simple sounds.

Posted by on - Basic Sound Effects

Using Trial and Error in sound design

Thought i'd post these super short videos about how i trialled and tested different ideas before coming to my final sound. When coming up with ideas it's often always the case that I will have to go through several ideas before reaching the sound that not only works on its own, but also FITS the intended scene or character in the game.

Take for example the video below:

I started scraping and running my hand across different parts of my sofa, just cos... i felt like it one morning. Turns out (as you can hear) you can get a pretty decent "woosh" sound. The last sound you hear when it's in-game is a combination of the various scrapes i recorded, which have been either doubled, pitched down, pitched up, compressed etc... until it sounded like a sword, slashing through the air.

In Logic Pro X I take a couple recordings, duplicate them, pitch the copied audios, EQ them slightly differently and add slightly different amounts of reverb. All of these very simple techniques help to thicken and proved depth to the sound. Layers are a sound designer's best friend (that and pitch shifting).

As for trial and error, below is another super short video where i wanted to create an armour clanking sound. I collected various metal objects from around the house and here you can witness the process. The last sound you hear is consequently the sound i chosen to work with. I added it to the movement of one of our bosses to give the impression that it carries heavy metal clothing.

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