Halo: Composition takes place in the year 2555. Set foot on a new colony, discover the new ambitions of the remains of the covenant and what it has to do with the events that take place in Halo 4.

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Ki11a_FTW here, today I have a minor update regarding the status of the project. It is not dead and never was. I know it has been quite some time since the CE3 demo we showed back in 2014. Today I would like to take the time to fill you guys in as to what has been going on between then and now.

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So when it was decided that we would do a demo for CE3, it was only after I accepted the offer that I realized how much work truly needed to be accomplished by the deadline. Because of this, a lot of stuff was left unfinished or unpolished. The sky box was thrown together in a matter of hours so the background would not be empty nothingness, the bsp had to be completely textured and UV'ed in a matter of weeks, and a short, but compelling narrative had to be written out.

I am very proud of the presentation, still, and I am happy to say that almost all of it's flaws have been addressed since. The silence in 2015 and 2016 was necessary to sort out internal issues. I'd like to clarify here, the "2015" at the end of the trailer was not a release date. For example, the pieces of level geometry that are not seen in the 2014 trailer were simply not fun. Something might look good on paper, it might look great, but if it's not fun to kill aliens in, it's not going to work and that was exactly the case here.

The level design process was different compared to how I would usually design a level. Usually, i'll jump right into 3ds max with an idea, make a rough idea of what I have in mind, and test it out in the game. If it works, I iterate upon that until it becomes what it is. With Rebirth, I took a different approach, I made some layouts in Photoshop, as most artists probably would, and went to work. One BSP followed this process, while the other followed my traditional process as seen in the demo. In the end, the unseen BSP was scrapped. A new design had to be made that followed the original concept of the level using my traditional methods. As an artist, it was necessary to experiment, now that I know what works best for me, i'll be sticking with it.

Meanwhile, the sandbox still did not exactly have an identity, as you can kind of make out in the demo. Halo 3 assets, Reach assets and Halo 4 assets were all thrown in. This was never apart of the plan, as all of the Halo 3 assets were planned to be thrown out the window and replaced with higher quality models. For example, there were custom Elites and Marines in the works, but they never made it in. Fast forward to now, the sandbox is nearly complete. After a lot of pondering and feedback from the demo, I have decided to go with a near classic Halo style. Both in the Art and game play. Nearly all of the assets in the demo have been replaced since then.

With Open Sauce, advanced lighting (Similar to that of Half Life 2's bump mapping and HDR) was being worked on during the projects development. In 2015, these tools became available. The level geometry that was already made was designed with this in mind, and once I got my hands on it, I spent a long while figuring out how it works. CE3 used the default lightmap system, the level was supposed to be rather grey and rainy, however upon further inspection when I was rendering out the advanced lighting, I realized that for whatever reason, the entire playing ground was having it's lightmap UV's being rendered at an almost microscopic scale. This has since been fixed, however the demo was plagued with this problem. (I thought it was just Halo's default out of date lighting system). Turns out it was Halo's out of date lighting system combined with the entire ground using a 32x32 low-quality lightmap. Awful.

You could ask me "What?! So much text but no pics?", it's down to the BSP's and story at this point and I've felt the fans deserve an explanation. After the demo, I've made the decision to show only what is complete, because things are always changing and I don't want to give a false presentation, as I feel we may have done a few years ago. As of now, I plan on doing Episodic releases, rather than one full blown package. We'll see as release gets closer. I also work a full time job and am currently the only dedicated member working on the project, so sometimes the project had been in slow motion for long periods of time. We had a few BSP guys come and go, and I have a guy doing hud and UI work when he can. Our sound and music guy is still in, but he is waiting on me for the go ahead to make new music. If you have any experience, please, feel free to let me know. You can message me on my Twitter account @Ki11a_FTW.

I'm looking for people experienced in these fields:

-Texture artists

-Modelers (For assets and BSP)

-Voice

-Skybox artists

-Cinematics

-3rd person animation

I am capable of a lot of these things myself, but I am one man. There is loads of geometry and art I have created waiting to be pieced together into a seamless experience. I could use all of the help I can get.

Thanks! Hope to have some more news soon.

-Ki11a

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