Double Happy Vs. The Infinite Sadness is a quirky series of games, comics and animations. When the Double Happy Rabbits Pink and Blue have their homeland swallowed by The Infinite Sadness, they strap on their tails and ears, venturing forth into exotic worlds to fight an overpowering evil. MONKEYSTACK are the masterminds behind our adventurous daring duo, and the team is dedicated to delivering high quality entertainment content and are passionate about involving their audience. Double Happy is set to be a Game for Artists, by Artists. You can stay up to date here on Indie DB, on Facebook and via our Twitter!

Report article RSS Feed Backstage - Designing the Logo

It is often said that designing logos for your own projects or company is the hardest. Troy, our Art Director, talks about how we got to the Double Happy logo we use today!

Posted by DoubleHappy on Mar 3rd, 2014


ONE LOGO FOR YOU, ONE LOGO FOR ME!

Have you seen our latest webisode? It's a story about Chaos Theory called THE BUTTERFLY DEFECT, and you can check it out on our YouTube channel!
This is the latest 'Backstage' post for us - previously we've had our Lead Animator Alex run us through the animation process, and Chris talked about the workflow used to create the assets. This time we cornered Troy and asked him to explain how the Double Happy logo was even created in the first place.

TROY: It is often said that designing logos for your own projects or company is the hardest, and I'd tend to agree with that. The Double Happy logo also has some unique challenges. The brief is to create a strong iconic logo that incorporates the two rabbits, the pink and blue colouring and a reference to The Infinite Sadness. The logo will need to be suitable for delivery on multiple platforms and a version of it will need to work at a smaller resolution in terms of legibility.

Stage 01 shotgun approach
Regardless of 20 plus years of logo design I still always start the process by doing some R & D. These are some of the logos I grabbed in my reference folder to kick things off. We are really looking for a logo that is based on narrative but ultimately is a strong graphic icon that has strong read in its simplicity.

DH BE005 Logos TroyBellchambers REF01


In our early development phase we discovered the Double Happiness symbol of Chinese culture and wanted to pay homage to/hint at it in our design. Double Happiness (simplified chinese) 双喜; traditional Chinese: 雙喜; pinyin: shuāngxǐ; sometimes translated as Double Joy or Double Happy) is a Chinese ornamental design commonly used as a decoration. The Double Happy (Double Happiness) symbol 囍 composed of two repeated Chinese characters 喜 (xǐ, 'joy'), compressed to assume the square shape of a standard Chinese character, (much like a real character may consist of two parts) and often modified in various ways.

DH BE005 Logos TroyBellchambers img10

The shuāngxǐ motif often appears on decorative items associated with Chinese New Year celebrations and weddings, the latter of the two is often found all over the wedding ceremony, as well as on gift items given to the bride and groom. The color of the character is usually red, occasionally black or gold. Below you can see the first versions of the Double Happiness logo translated into Double Happy logo concepts.

DH BE005 Logos TroyBellchambers img04

I took the retro concept from the previous round (above) and explored this further. I drew influence from 1950’s tv iconography and the similar style employed by the Spumco creations of John K. (add his great blog to your list Johnkstuff.blogspot.com) The drop shapes were influenced by a billboard on my way home that was advertising iced tea...or juice maybe. *pays to have a small sketchbook on you at all times! It also pays to pull over. Although these designs were capturing some of the retro part of the property they are a bit fun and limited in terms of the epic adventure component, so we needed to go more iconic and serious from here.

DH BE005 Logos TroyBellchambers img05

I also explored some more abstract and serious shape based logos in illustrator. I was happy with a few of these but felt like they were probably more suited to the next Winter Olympics than for Double Happy.

DH BE005 Logos TroyBellchambers img07

The second row image on the right with the joining of two halves of a the rabbits to form a vertical DH acronym had the best feedback so far so explored this further. We quite liked the DH logo middle left and the variations above and top left but they gave me flashbacks to my high school years and what for a while was the coolest brand name to be wearing. Helly Hansen.

DH BE005 Logos TroyBellchambers REF02

After my brief high school flashback we took stock of what was working and generally felt more exploration was needed around the stylised rabbit forms particularly in the two halves format and we needed to lock in our pink and blue colour values which to date had been mostly cyan and magenta in my designs in particular. We also still had a serious lack of Infinite Sadness representation in the logo designs so plenty to work on in the next phase.

Having created the vertical acronym version we now thought it might be a good idea to explore whether a custom font treatment could be made for the full Double Happy word. I have also begun to explore the addition of The Infinite Sadness as a variable grey form behind the symbol. By changing this we could help convey the many forms in which The Infinite Sadness could materialise.

DH BE005 Logos TroyBellchambers LogoConcepts 02-1

We felt that having only curves made this a bit too bubbly and felt very young...the pastel pink and blue not helping here. I stated to work back into this adding some hard edges to offset some on the roundness and also began looking at whether we could use less pastels versions of the pink and blue. Fairly confident that a solution would be found for the custom type (The example below is definitely not it) I returned exploring the symbol with a roundel or rounded rectangle and tried the idea of the abstract Infinite Sadness shape behind. The grey was generally better received that the marigold and acid green versions.

DH BE005 Logos TroyBellchambers LogoConcepts 03-4

Having established that the grey would be more suitable for The Infinite Sadness it was time to bust out a heap of variations the background shape.

DH BE005 Logos TroyBellchambers LogoConcepts 03-5

The circular versions were preferred and we decided the dark grey alone could represent The Infinite Sadness to maintain a crisp design and uncomplicated read of the key split symbol. A bit of back and forth on the final colours.

It was decided by all that we had found the Double Happy logo.

DH BE005 Logos TroyBellchambers img13

iPhone04 icon master

IOS Icon.* You will get this version If you add the Double Happy website to the Home Screen on your iPhone or iPad.

On to the Double Happy full text Header for the newsletter and further branding. We wanted to further solidify the yin and yang relationship of the Double Happy Rabbits versus the visual approach of The Infinite Sadness. The font below was chosen for its informality of letterform and variable baseline. The visual weight of the Double Happy text still dominates but the complexity and haptic nature of the Infinite Sadness text balances this header.

DH Newsletter Header01 sml

Below is the final banner design that brings all the branding together with our artists' examples of the possible worlds and art styles of the Double Happy Universe.

DH BE005 Logos TroyBellchambers img14

How did you go when you made your logo? Did you find it difficult? Was it the first thing you came up with? Keen to hear your story!

Cheers!
The DH Team

www.doublehappyrabbits.com
Double Happy Facebook
Double Happy Twitter

Post comment Comments
JRTessier
JRTessier Apr 30 2014, 8:47am says:

"I was happy with a few of these but felt like they were probably more suited to the next Winter Olympics than for Double Happy." Ahah I have to agree with that ^^

Great article, very interesting process !

It's often hard to take some time to work on a logo when you are already busy with the other part of the production.
I think sometimes the logo comes up quickly and is obvious. Sometime is not and then you enter into a long long and tiresome process. Redisigning again and again...

iOS icons are very challenging too thought.

Btw your logo is frickin' awesome ;)

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Double Happy Vs. The Infinite Sadness
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Windows
Developer
Monkeystack
Publisher
2xCubed
Engine
Unity
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